From Wikipedia, the free encyclopedia Paul McCartney
On stage in Prague, 6 June 2004
Background information
Birth name James Paul McCartney
Born 18 June 1942 (age 65)
Liverpool, England
Genre(s) Rock, pop, classical, electronic, ambient
Occupation(s) Singer-songwriter, musician, artist, activist
Instrument(s) Bass guitar, Double bass, guitar, piano, organ, drums, percussion, ukelele, mandolin, melodica, trumpet, recorder, Mellotron, Moog, Celesta, cello, violin
Years active 1957–present
Label(s) Hear Music
Apple
Parlophone
Capitol
CBS
EMI
Associated
acts The Beatles, The Fireman, The Quarrymen, Wings
Website www.paulmccartney.com
Notable instrument(s)
Hofner 500/1 bass guitar
Rickenbacker 4001 bass guitar
Gibson Les Paul
Epiphone Casino
Sir James Paul McCartney, MBE (born 18 June 1942) is an English singer, songwriter and multi-instrumentalist who first gained worldwide fame as one of the founding members of The Beatles. McCartney and John Lennon formed one of the most influential and successful songwriting partnerships and "wrote some of the most popular music in rock and roll history."[1] On leaving The Beatles, McCartney launched a successful solo career and formed the band Wings with his first wife, Linda McCartney. He has worked on film scores, classical music, and ambient/electronic music; released a large catalogue of songs as a solo artist; and taken part in projects to help international charities.
McCartney is listed in Guinness World Records as the most successful musician and composer in popular-music history, with 60 gold discs and sales of 100 million singles.[2] His song "Yesterday" is listed as the most covered song in history and has been played more than 7,000,000 times on American television and radio.[3] Wings' 1977 single "Mull of Kintyre" became the first single to sell more than two million copies in the UK, and remained the UK's top seller until surpassed, in 1984, by Band Aid's "Do They Know It's Christmas?" whose participants included McCartney.
His company MPL Communications owns the copyrights to more than three thousand songs, including all of the songs written by Buddy Holly, along with the publishing rights to such musicals as Guys and Dolls, A Chorus Line, and Grease. Aside from his musical work, McCartney is a painter and an advocate for animal rights, vegetarianism, and music education; he is active in campaigns against landmines, seal culls and Third World debt. McCartney was appointed a Member of the Order of the British Empire (MBE) in 1965, and was knighted in 1997.
Contents [hide]
1 Early years: 1942–1957
2 1957–1960: The Quarrymen and the Silver Beetles
3 1960–1970: The Beatles
4 1970s: Paul McCartney (solo) and Wings
5 Solo career
5.1 1980s
5.2 1990s
5.3 2000s
6 Family life
6.1 Relationship with Jane Asher
6.2 Marriage to Linda Eastman
6.3 Marriage to Heather Mills
7 Creative outlets
7.1 Classical music
7.2 Electronica
7.3 Film
7.4 Painting
7.5 Writing and poetry
8 Lifestyle
8.1 Recreational drug use
8.2 Meditation
8.3 Activism
9 Business
9.1 The Beatles catalogue
9.2 MPL Communications
10 Pseudonyms
11 Achievements and critique
11.1 Criticism
11.2 Record-breaker
11.3 Awards
12 Discography
13 Song samples
14 Paul is dead rumors
15 Notes
16 References
17 Further reading
18 External links
[edit]
Early years: 1942–1957
James Paul McCartney was born in Liverpool General Hospital, in Liverpool, England, where his mother, Mary, had worked as a nursing sister in the maternity ward.[4] He has one brother, Michael, born 7 January 1944.[5] McCartney was baptized Roman Catholic but was raised non-denominationally: his mother was Roman Catholic, and his father, James "Jim" McCartney, was a Protestant turned agnostic.[5] Like many from Liverpool, McCartney is of Irish descent.[6] His maternal grandfather, Owen Mohin/Mohan, was born in 1880 in Tullynamalrow, County Monaghan, Ireland, and married Mary Theresa Danher (from Toxteth, Liverpool) in 1905.[5]
In 1947, at age five, he began at Stockton Wood Road Primary school; he attended the Joseph Williams Junior School, and passed the 11-plus exam in 1953. Of the 90 children that took the exam, only three others passed, gaining all four places at the Liverpool Institute.[7] On the bus to the Institute, he met George Harrison, who lived nearby.[8] Passing the exam meant that McCartney and Harrison did not have to go to a secondary modern school, which most pupils attended until they were eligible to work. It also meant that Grammar school pupils had to find new friends—such was the division between the school systems.[9].
20 Forthlin Road now attracts large amounts of tourists
In 1955, the McCartney family moved to 20 Forthlin Road (in Allerton), which is now owned by The National Trust.[10] Mary McCartney rode a bicycle to houses where she was needed as a midwife, and McCartney's earliest memory is of her leaving when it was snowing heavily.[11] On 31 October 1956, when McCartney was 14, while he was away at boy scout camp, Mary McCartney (who was a heavy smoker) died of an embolism after a mastectomy operation to stop the spread of her breast cancer.[12] The early loss of his mother later connected McCartney with John Lennon, whose mother, Julia, died when Lennon was 17.[13]
McCartney's father was a trumpet player and pianist, who had led Jim Mac's Jazz Band in the 1920s, and encouraged his two sons to be musical.[14] Jim had an upright piano in the front room that he bought from Harry Epstein's store, and McCartney's grandfather, Joe McCartney, played an E-flat tuba.[15][16] Jim McCartney used to point out the different instruments in songs on the radio, and often took Paul to local brass band concerts.[16] After the death of his wife, Mary, Jim McCartney gave Paul a nickel-plated trumpet, but when skiffle music became popular, McCartney swapped the trumpet for a £15 Framus Zenith (model 17) acoustic guitar.[17][18]
McCartney, being left-handed, found the Zenith impossible to play. He then saw a poster advertising Slim Whitman and realised that Whitman played left-handed, with his guitar strung the opposite way to a right-handed player.[18][19] McCartney wrote his first song ("I Lost My Little Girl") on the Zenith, and also played his father's Framus Spanish guitar when writing early songs with John Lennon.[20] He later started playing piano and wrote "When I'm Sixty-Four".[21] His father advised him to take some music lessons, which he did. But McCartney realised that he preferred to learn 'by ear' and never paid attention in music classes.[21][22]
[edit]
1957–1960: The Quarrymen and the Silver Beetles
Main articles: The Quarrymen and Lennon/McCartney
'Elvis McCartney' drawing by Klaus Voormann.
The fifteen-year-old McCartney met Lennon and the Quarrymen at the Woolton (St. Peter's church hall) fête on 6 July 1957.[23] At the start of their friendship Lennon's Aunt Mimi disapproved of McCartney because he was, she said, "working class", and called McCartney, "John's little friend".[24] McCartney's father told his son that Lennon would get him "into trouble", although he later allowed The Quarrymen to rehearse in the front room at 20 Forthlin Road.[25][26]
McCartney formed a close working relationship with Lennon and they collaborated on many songs. He convinced Lennon to allow George Harrison to join the Quarrymen after Lennon's initial reluctance (because of Harrison's young age) when Lennon heard Harrison play at a rehearsal in March 1958.[27] Harrison joined the group as lead guitarist, followed by Lennon's art school friend, Stuart Sutcliffe, on bass, with whom McCartney later bickered regarding Sutcliffe's musical ability.[28][29] By May 1960, they had tried several new names, including the Silver Beetles (and played a tour with Johnny Gentle, in Scotland). The Beatles changed the name of the group for their performances in Hamburg, in August 1960.[30][31]
[edit]
1960–1970: The Beatles
Main articles: The Beatles and The Beatles discography
The Beatles were managed by Allan Williams—starting in May 1960—and he booked them into Bruno Koschmider's Indra club in Hamburg. McCartney's father was reluctant to let the teenage Paul go to Hamburg until Paul pointed out that he would earn two pounds and ten shillings per day. As this was more than he earned himself, Jim finally agreed.[32]
The Beatles first played at the Indra club, sleeping in small, dirty rooms in the Bambi Kino, and then moved (after the closure of the Indra) to the larger Kaiserkeller.[33] In October 1960, they left Koschmider's club and worked at the "Top Ten Club", which was run by Peter Eckhorn.[34][35] When McCartney and Pete Best went back to the Bambi Kino to get their belongings they found it in almost total darkness. As a snub to Koschmider, they found a condom, attached it to a nail on the concrete wall of their room, and set fire to it. There was no real damage, but Koschmider reported them for attempted arson. McCartney and Best spent three hours in a local jail and were deported, as was George Harrison, for working under the legal age limit.[36] Lennon's work permit was revoked a few days later and he went home by train, but Sutcliffe had a cold and stayed in Hamburg, and then flew home.[37]
The group reunited in December 1960, and on 21 March 1961, played their first of many concerts at Liverpool's Cavern club.[38][39] McCartney realised that other Liverpool bands were playing the same cover songs, which prompted him and Lennon to write more original material.[40] The Beatles returned to Hamburg in April 1961, and recorded "My Bonnie" with Tony Sheridan.[41] Sutcliffe left the band after the end of their contract, so Paul reluctantly took over bass.[42] He first played Sutcliffe's President bass, then a 'Rosetti Solid 7' bass upside-down, but later bought a left-handed 1962 500/1 model Höfner bass.[43][44] On 1 October 1961, McCartney went with Lennon (who paid for the trip) to Paris for two weeks.[45]
The Beatles were first seen by Brian Epstein at the Cavern club on 9 November 1961, and he later signed them to a management contract.[46] The Beatles' road manager, Neil Aspinall, drove them to London on 31 December 1961, where they auditioned the next day, but were rejected by Decca Records.[47] In April 1962, they went back to Hamburg to play at the Star-Club, and learned of Stuart Sutcliffe's death a few hours before they arrived.[48] The Beatles were ready to sign a record contract on 9 May 1962, with Parlophone Records—after having been rejected by many record companies—but Epstein sacked Pete Best(at the behest of McCartney, Lennon and Harrison) before they signed the contract.[49] "Love Me Do" was released on 5 October 1962, featuring McCartney singing solo on the chorus line.[50]
All Lennon-McCartney songs on the first pressing of Please Please Me album (recorded in one day on 11 February 1963)[51] as well as the "Please Please Me" single, "From Me to You", and its B-side, "Thank You Girl", are credited to "McCartney-Lennon", but this was later changed to "Lennon-McCartney".[52] They usually needed an hour or two to finish a song, which were written in hotel rooms after a concert, at Wimpole Street, at Cavendish Avenue, or at Kenwood (John Lennon's house).[53] McCartney also wrote songs for other artists, such as Billy J. Kramer, Cilla Black, Badfinger, and Mary Hopkin -and most notably he wrote two hit songs for the group Peter & Gordon-launching their career. One song, "World Without Love", became a #1 hit in the U.K. & U.S. (Peter was the brother of Jane Asher, McCartney's girlfriend at the time)[54]
Lennon, Harrison, and Starr lived in large houses in the 'stockbroker belt' of southern England,[55] but McCartney continued to live in central London: in Jane Asher's parents' house, and then at 7 Cavendish Avenue, St John's Wood, near the Abbey Road Studios.[55] It was at Cavendish Avenue that McCartney bought his first Old English Sheepdog, Martha, which inspired the song "Martha My Dear".[56]
Paul McCartney in the mid '60s. Photo: Howard Frank Archives.
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McCartney often went to nightclubs alone, which offered 'dining and dancing until 4.00 a.m.' and featured cabaret acts.[57] McCartney would get preferential treatment everywhere he went, which he readily accepted.[58] He even once accepted an offer from a policeman to be allowed to park McCartney's car.[57] He later visited gambling clubs after 4.00am, such as 'The Curzon House', and often saw Brian Epstein there.[59] The Ad Lib club (above the Prince Charles Theatre at 7 Leicester Place) was later opened for the emerging 'Rock and Roll' crowd of musicians, and tolerated their unusual lifestyle.[60] After the Ad Lib fell out of favour, McCartney moved on to the Scotch of St James, at 13 Masons Yard.[61] He also frequented The Bag O'Nails club at 8 Kingly Street in Soho, London, where he met Linda Eastman.[62]
The Beatles stopped touring after their last concert at Candlestick Park, San Francisco, on 29 August 1966. The other three Beatles had often talked about stopping touring, but after the Candlestick Park concert, and after having played so many concerts where they could not be heard, McCartney finally agreed that they should stop playing live concerts.[63]
McCartney was the first to be involved in a musical project outside of the group, when he composed the score for the film The Family Way in 1966. The soundtrack was later released as an album (also called The Family Way), and won the Ivor Novello Award for Best Instrumental Theme, ahead of acclaimed jazz musician Mike Turner. McCartney wrote songs for and produced other artists, including Mary Hopkin, Badfinger, and the Bonzo Dog Band, and in 1966, he was asked by Kenneth Tynan to write the songs for the National Theatre's production of As You Like It by William Shakespeare (starring Laurence Olivier) but declined.[64]
McCartney later attempted to persuade Lennon, Harrison and Starr to return to the stage, and when they had a meeting to sign a new contract with Capitol Records, McCartney suggested "going back to our roots," to which Lennon replied, "I think you're mad!"[65] Although Lennon had quit the group in September 1969, and Harrison and Starr had temporarily left the group at various times, McCartney was the one who publicly announced The Beatles' breakup on 10 April 1970—one week before releasing his first solo album, McCartney.[66] The album included a press release inside with a self-written interview stating McCartney's hopes about the future. The Beatles' partnership was legally dissolved after McCartney filed a lawsuit on 31 December 1970.[67]
[edit]
1970s: Paul McCartney (solo) and Wings
Main articles: Paul McCartney discography and Wings (band)
McCartney released his debut solo album, McCartney, in April 1970. He insisted that his wife should be involved in his musical career so that they would not be apart when he was on tour.[68] McCartney's second solo album, Ram (1971) was credited to both Paul and Linda McCartney. In August of that year McCartney formed Wings with guitarist Denny Laine and drummer Denny Seiwell (although membership in Wings would change several times during its existence) and released their debut album, Wild Life. In 1972, Wings started an unplanned tour of British universities and small European venues.[69] In February of that year, they released a single called "Give Ireland Back to the Irish",[70] which was banned by the BBC.[71] Wings then embarked on the 26-date Wings Over Europe Tour.
Wings' 1973 album Red Rose Speedway spawned the band's first #1 in the United States, "My Love".[72] On 16 April, McCartney starred in a TV variety show called James Paul McCartney.[73] The band released Band on the Run,[74] which won two Grammy Awards[75] and is Wings' most lauded work. In October 1972, McCartney recorded the theme song for the James Bond film Live and Let Die.[69] In 1973, Wings released the single "Jet",[76] and in 1974, "Band on the Run" (the song) and "Junior's Farm".[77] A jam session — with Lennon and McCartney — was recorded in California, in 1974, and released on the bootleg A Toot and a Snore in '74. "Venus and Mars" was released in 1975 which featured "Listen to What the Man Said" and "Rock Show." Through 1975 and 1976, Wings embarked on the ambitious Wings Over the World tour, which was released as Wings Over America.
Also in 1976, McCartney marked Buddy Holly Week in London with a celebrity party on what would have been Holly's 40th birthday. McCartney, a lifelong fan of Holly's music, acquired the publishing rights to the Buddy Holly catalogue. McCartney also bought the rights to the off-Broadway musical Grease which was later adapted into a feature film.
During a break from Wings in 1977, McCartney released the album Thrillington, an orchestral re-make of the earlier Ram album which had been recorded pre-Wings. McCartney issued the album under the pseudonym Percy "Thrills" Thrillington.
Later in 1977, Wings released "Mull of Kintyre". It stayed at #1 in the UK for nine weeks, and was the highest-selling single in the UK until 1984, when Band Aid's Do They Know It's Christmas beat its record.[71] Wings toured again in 1979, and McCartney organised the Concerts for the People of Kampuchea. McCartney's "Rockestra" theme won a Grammy award.[69] At Christmas 1979, McCartney released his (solo) "Wonderful Christmastime".[78]
Although McCartney's relationship with John Lennon was troubled, they reconciled during the 1970s.[79] McCartney would often call Lennon, but was never sure of what sort of reception he would get,[80] such as when McCartney once called Lennon and was told, "You're all pizza and fairytales!"[80] McCartney understood that he could not just phone Lennon and only talk about business, so they often talked about cats, baking bread, or babies.[81]
[edit]
Solo career
[edit]
1980s
In a 1980 interview, Lennon said that the last time he had seen McCartney was when they had watched the episode of Saturday Night Live (May 1976) where Lorne Michaels had made his $3,000 cash offer to get Lennon, McCartney, Harrison and Starr to reunite on the show.[82] McCartney and Lennon had seriously considered going to the studio, but were too tired.[83] On the morning of 9 December 1980, McCartney awoke to the news that Lennon had been murdered outside his Dakota building home.[84] Lennon's death created a media frenzy around the surviving members of the Beatles.[85] On the evening of 9 December, as McCartney was leaving an Oxford Street recording studio, he was surrounded by reporters and asked for his reaction to Lennon's death. He replied, "I'm very shocked - this is terrible news," and said that he had spent the day in the studio listening to some material because he "just didn't want to sit at home."[86] When asked why, he replied, "I didn't feel like it," and added, "It's a drag, isn't it?" When published, his "drag" remark was criticized, and McCartney later regretted it. He furthermore stated that he had intended no disrespect but had just been at a loss for words, after the shock and sadness he felt over Lennon's murder.[87]
In a Playboy interview in 1984, McCartney said that he went home that night and watched the news on television—whilst sitting with all his children—and cried all evening. His last telephone call to John, which was just before Lennon and Yoko released Double Fantasy, was friendly. During the call, Lennon said (laughing) to McCartney, "This housewife wants a career!"[88] which referred to Lennon's "house-husband" years, while he was looking after Sean Lennon.[86] McCartney carried on recording after the death of Lennon but did not play any live concerts for some time. He explained that this was because he was nervous that he would be "the next" to be murdered.[87][89] This led to a disagreement with Denny Laine, who wanted to continue touring and subsequently left Wings, which McCartney disbanded in 1981.[89][90] Also in 1981, six months after Lennon's death, McCartney sang backup on George Harrison's tribute to Lennon, "All Those Years Ago," along with Ringo Starr.
Like McCartney before it, McCartney played every instrument on the 1980 release McCartney II, with an emphasis on synthesisers instead of guitars.[91][92] The single "Coming Up" reached #2 in Britain and #1 in the US.[93], and Waterfalls was another UK Top 10 hit. McCartney's next album, 1982's Tug of War, reunited him with Beatles' producer George Martin[94] and Ringo Starr and featured McCartney's duet with Stevie Wonder on "Ebony and Ivory"[95] as well as his tribute to Lennon, "Here Today". Two further hit duets followed, both with Michael Jackson: "The Girl Is Mine",[95] from Jackson's Thriller album, and "Say Say Say", a single from McCartney's 1983 album Pipes of Peace.[95]
Tug of War was a hit comeback album for McCartney.
McCartney wrote and starred in the 1984 film Give My Regards to Broad Street. The film and soundtrack featured the US and UK Top 10 hit[96] "No More Lonely Nights" (and the album reached #1 in the UK), but the film did not do well commercially[97] and received a negative critical response. Roger Ebert awarded the film a single star and wrote, "You can safely skip the movie and proceed directly to the sound track".[98] Later that year, McCartney released "We All Stand Together", the title song from the animated film Rupert and the Frog Song and wrote and performed the title song to the movie Spies Like Us.
In the second half of the decade McCartney would find new collaborators. Eric Stewart had appeared on McCartney's Pipes of Peace album,[99] and he co-wrote most of McCartney's 1986 album Press to Play. The album, and its lead single, "Press" became minor hits.[100] McCartney returned the favour by co-writing two songs for Stewart's band, 10cc: "Don't Break the Promises" (...Meanwhile, 1992), and "Yvonne's the One" (Mirror Mirror, 1995). In 1987, EMI released All the Best! which was the first compilation of McCartney's own songs.
In 1988, he released Снова в СССР, which was a collection of old Rock and roll hits—written by others—that McCartney had admired over the years. It was originally released only in the USSR, eventually receiving a general release in 1991. McCartney also began a musical partnership with the singer-songwriter Elvis Costello (Declan MacManus).[101] The resulting songs would appear on several singles and albums by both artists, notably "Veronica" from Costello's album Spike, and "My Brave Face" from McCartney's Flowers in the Dirt, both released in 1989.[102] The album reached #1 in the UK. Further McCartney/MacManus compositions for "Flowers in the Dirt" surfaced on the 1991 album Mighty Like a Rose (Costello) and 1993's Off the Ground (McCartney). In late 1989, McCartney embarked on his first concert tour since John Lennon's murder—his first tour of the U.S. in thirteen years.
[edit]
1990s
Flaming Pie, released in 1997, represented a big comeback for McCartney and his biggest hit album in over 15 years.
The 1990s saw McCartney venture into classical music. In 1991 the Royal Liverpool Philharmonic Society commissioned a musical piece by McCartney to celebrate its sesquicentennial.[103] McCartney collaborated with Carl Davis to release Liverpool Oratorio.[104] EMI Classics recorded the premiere of the oratorio and released it on a 2-CD album which topped the classical charts.[105] His next classical project to be released (in 1995) was A Leaf, a solo-piano piece played by Royal College of Music gold-medal winner Anya Alexeyev.[106] The Prince of Wales later honoured McCartney as a Fellow of The Royal College of Music.[105] Other forays into classical music included Standing Stone (1997), Working Classical (1999), and "Ecce Cor Meum" (2006).
In the early 1990s (after another world tour), McCartney reunited with Harrison and Starr to work on Apple's The Beatles Anthology documentary series. It included three double albums of alternative takes, live recordings, and previously unreleased Beatles songs, as well as a ten-hour video boxed set. Anthology 1 was released in 1995, and featured "Free as a Bird", which was the first Beatles reunion track, while Anthology 2, released in 1996, included "Real Love" (1996), the second and final in the reunion series. Both reunion tracks were completed by adding new music and vocal tracks to Lennon's demos from the late 1970s.
1997 was another successful year for McCartney. That year he released Flaming Pie. The album garnered the best reviews for a McCartney album since Tug of War. It debuted at #2 in the UK and the US, and was nominated in the category Album of the Year at the 1998 Grammy Awards. Later that year, McCartney was knighted as a Knights Bachelor by Queen Elizabeth II.
McCartney returned to his roots once again in 1999, recording another album of rock 'n' roll favourites from his youth titled Run Devil Run. That same year he was inducted into the Rock and Roll Hall of Fame, located in Cleveland, Ohio, as a solo artist.
[edit]
2000s
The year 2001 proved to be a busy and hectic one for McCartney. In May, he released Wingspan: An Intimate Portrait, a retrospective documentary that features behind-the-scenes films and photographs that Paul and Linda McCartney (who had died in 1998) took of their family and bands.[107] Interspersed throughout the 88 minute film is an interview by Mary McCartney with her father. Mary was the baby photographed inside McCartney's jacket on the back cover of his first solo album, McCartney, and was one of the producers of the documentary.[108]
Earlier in the year, McCartney worked on what would become his new album, Driving Rain, released on 12 November. Driving Rain featured many uplifting songs inspired by and written for his soon-to-be wife Heather. Clearly determined to follow the example of Run Devil Run's brisk recording pace, most of the album was recorded in two weeks, starting in February 2001. McCartney also composed and recorded the title track for the film Vanilla Sky, released later that year. The track was nominated for—but did not win—an Oscar for Best Original Song [109]
On 11 September 2001, McCartney was sitting on a plane in New York City when the World Trade Center terrorist attacks occurred and was able to witness the events from his seat. Incensed at the tragedy and determined to respond, he composed "Freedom" and impulsively halted the pressing of Driving Rain so that "Freedom" could appear as a 'hidden track' (since the artwork and track listing had already been printed).
McCartney took a lead role in organising The Concert for New York City in response to the events of September 11.[110] The concert took place on 20 October 2001. A few days before the concert, McCartney was involved in a car crash at a crossroads in Long Island, New York's East Hampton[disambiguation needed] resort town. He complained of back pains but did not need hospital treatment.[111]
In late 2001, McCartney was informed that his former classmate, neighbour, ex-Beatles' lead guitarist, and best friend of over 45 years, George Harrison, was losing his battle with cancer. Upon Harrison's death on 29 November, McCartney told Entertainment Tonight, Access Hollywood, Extra, Good Morning America, The Early Show, MTV, VH-1 and Today that George was like his "baby brother". Harrison spent his last days in a Hollywood Hills mansion that was once leased by McCartney.[112] On 29 November 2002—on the first anniversary of George Harrison's death—McCartney played Harrison’s "Something" on a ukulele at the Concert for George.[113]
In 2002, McCartney went on another world tour that continued through the following two years. During the tour he contributed to an album titled Good Rockin' Tonight: The Legacy Of Sun Records—which included a version of the Elvis Presley hit "That's All Right (Mama)"—recorded with Presley band members, Scotty Moore on lead guitar and drummer D.J. Fontana.[114] McCartney performed during the pre-game ceremonies at the NFL's Super Bowl XXXVI in 2002, and starred in the halftime show at Super Bowl XXXIX in 2005. In 2003, McCartney went to Russia to play a concert in Red Square. Vladimir Putin gave McCartney a tour of the Square, and McCartney performed a private version of "Let It Be".[115]
In what would be his first British music festival appearance, McCartney headlined the Glastonbury Festival in June 2004. [116] McCartney and festival organiser Michael Eavis picked up the NME Award on behalf of the festival, which won 'Best Live Event' in the 2005 awards.[117] McCartney performed at the main Live 8 concert on 2 July 2005, playing "Sgt. Pepper's Lonely Hearts Club Band" with U2 to open the Hyde Park event, although Ringo Starr criticised McCartney for not asking him to play.[118]
On 18 June 2006, McCartney celebrated his 64th birthday, as in "When I'm Sixty-Four." Paul Vallely noted in The Independent:“ "Paul McCartney’s 64th birthday is not merely a personal event. It is a cultural milestone for a generation. Such is the nature of celebrity, McCartney is one of those people who has represented the hopes and aspirations of those born in the baby-boom era, which had its awakening in the Sixties."[119] ”
McCartney joined Jay-Z and Linkin Park onstage at the 2006 Grammy Awards in a performance of "Yesterday" to commemorate the recent passing of Coretta Scott King. McCartney later noted that it was the first time he had performed at the Grammys and quipped, "I finally passed the audition," which was a reference to the John Lennon comment at the end of the Let It Be film: "I'd like to say thank you on behalf of the group and ourselves and I hope we passed the audition."[120] McCartney was nominated for another Grammy Award in 2007 for "Jenny Wren"—a song from his critically-acclaimed 2005 album Chaos and Creation in the Backyard, which itself had been nominated as Album of the Year in 2006.[121]
On 21 March 2007, McCartney left his longtime label EMI to become the first artist signed to Starbucks's new record label, Los Angeles-based Hear Music, to be distributed by Concord Music Group. He even made an appearance via a video feed from London at the company's annual meeting.[122] "For me, the great thing is the commitment and the passion and the love of music, which as an artist is good to see. It's a new world now and people are thinking of new ways to reach the people, and that's always been my aim". [123] There are also rumours about McCartney doing a UK stadium tour Summer 2007. The website Scarlet Mist features dates listed for Hampden Park in Glasgow, City of Manchester Stadium in Manchester, Wembley Stadium in London, and Kings Dock in Liverpool.
Memory Almost Full, another big seller for McCartney, was released in 2007.
Highlighting the popularity of "Memory Almost Full", McCartney appeared in a commercial for Apple Computer's iPod+iTunes.
On 2 April 2007, it was reported that a man believed to be a crazed fan drove through the security fence on Paul McCartney's Peasmarsh county estate shouting that he had to "get at" the ex-Beatle. The incident echoed the 1980 murder of John Lennon and the 1999 attempted murder of George Harrison. The would-be assailant was stopped by security and arrested after leading authorities on a chase through Sussex country lanes [124][125][126]. McCartney has said that he is going to postpone his tour for Memory Almost Full until next year after his divorce case is settled. [127]
On 26 June 2007, McCartney appeared on CNN's Larry King Live with Ringo Starr, Yoko Ono Lennon, Olivia Harrison and Guy Laliberté to promote the "Revolution" Lounge at The Mirage in Las Vegas, Nevada and commemorating the one year anniversary of "Cirque Du Soleil's Love". It was broadcast live from Las Vegas inside the Mirage Hotel and Casino. [128]
On 5 July 2007, he played at the ICA in London in front of 300 ticket-winning fans as part of iTunes Festival, many of whom were stunned at McCartney's bare bones rendition of Disturbed's hit Down with the Sickness.
[edit]
Family life
McCartney was the last Beatle to marry. He had a five-year relationship with actress Jane Asher, and they were engaged to be married, until they broke up in 1968.[129] He married American photographer Linda Eastman in 1969. They had three children together, and remained married until Linda's death from breast cancer in 1998. In 2002, McCartney married former model Heather Mills and they had a child in 2003. They announced their separation in 2006.[130]
Widespread animosity towards Paul McCartney's wives was reported in 2004. "They [The British public] didn't like me giving up on Jane Asher," McCartney said. "I married a New York divorcee with a child, and at the time they didn't like that."[131]
In 2006, tapes recorded by Peter Cox—with whom Linda McCartney had written a vegetarian cookery book before her death—came to light. The tapes were said to be conversations with Linda discussing her marriage. McCartney reportedly paid £200,000 to Cox for possession of the tapes.[132][133]
[edit]
Relationship with Jane Asher
Main article: Jane Asher
The Beatles were performing at the Royal Albert Hall, in London, when McCartney first met British actress Jane Asher on 18 April 1963, and a photographer asked them to pose with Asher.[134] The Beatles were interviewed by Asher for the BBC, and Asher was then photographed screaming at them like a fan. McCartney later persuaded her to become his girlfriend.[135]
McCartney soon met Jane's family: Margaret, Jane's mother, who combined her life as the mother of three children with a full-time career as a music teacher, and Jane's father, Richard, who was a physician. Jane's brother, Peter, was a member of Peter and Gordon, and Jane's younger sister, Clare, was also an actress.[136] McCartney later gave "A World Without Love" to Peter and Gordon-as well as the song "Nobody I Know". Both songs became hits for the group.[137] McCartney took up residence at the Ashers' house at 57 Wimpole Street, London, and lived there for nearly three years.[138] During his time there McCartney met writers such as Bertrand Russell, Harold Pinter and Len Deighton.[139] He wrote several songs at the Ashers', including "Yesterday", and worked on songs with John Lennon in the basement music room. Jane inspired many songs, such as "And I Love Her", "You Won't See Me", and "I'm Looking Through You".[140]
On 13 April 1965, McCartney bought a £40,000 three-storey Regency house, at 7 Cavendish Avenue, London, and spent a further £20,000 renovating it. McCartney created a music room on the top floor of his house, where he worked with Lennon. He thanked the Ashers by paying for the decoration of the front of their house.[141]
On 15 May 1967, McCartney met American photographer Linda Eastman at a Georgie Fame concert at The Bag O'Nails club in London.[142] Eastman was in the UK on an assignment to take photographs of "Swinging sixties" musicians in London. McCartney and Linda later went to The Speakeasy club on Margaret Street.[143] They met again four days later at the launch party for the Sgt. Pepper album at Brian Epstein's house in Belgravia, but when her assignment was completed, Linda flew back to New York City.[144]
On 25 December 1967, McCartney and Asher announced their engagement, and she accompanied McCartney to India in February and March of 1968. Asher broke off the engagement in early 1968, after coming back from Bristol to find Paul in bed with another woman.[129] They attempted to mend the relationship, but finally broke it off in July 1968. Jane Asher has consistently refused to publicly discuss that part of her life.[145]
[edit]
Marriage to Linda Eastman
Main articles: Linda McCartney, Heather McCartney, Mary McCartney, Stella McCartney, and James McCartney
Linda McCartney in 1968
In May 1968, McCartney met Eastman again in New York, when Lennon and McCartney were there to announce the formation of Apple Corps.[146] In September, McCartney phoned Eastman and asked her to fly over to London. He later said that Eastman was the woman who "gave me the strength and courage to work again" (after the break-up of the group).[147] Six months later, McCartney and Eastman were married at a small civil ceremony (when Linda was four months pregnant with McCartney's child) at Marylebone Registry Office on 12 March 1969. Paul adopted Linda's daughter from her first marriage, Heather Louise (now a potter), and the couple had three more children together: photographer Mary Anna, fashion designer Stella Nina,[148] and musician James Louis. Paul and Linda (reportedly) spent less than a week apart during their entire marriage, interrupted only by Paul's incarceration in Tokyo on drug charges in January 1980.
Linda McCartney died in Tucson, Arizona, on 17 April 1998.[149] McCartney denied rumours that her death was an assisted suicide.[149][150]
McCartney now has four grandchildren: Mary's two sons Arthur Alistair Donald (born 3 April 1999) and Elliot Donald (born 1 August 2002) and Stella's son Miller Alasdhair James Willis (born 25 February 2005) [151] and daughter Bailey Linda Olwyn Willis (born 8 December 2006).[152]
[edit]
Marriage to Heather Mills
Main article: Heather Mills McCartney
After having sparked the interest of the tabloids about his appearances with Heather Mills at events, McCartney appeared publicly beside Mills at a party in January 2000, to celebrate her 32nd birthday.[153][154] On 11 June 2002, McCartney married Mills, a former model and anti-landmines campaigner, in an elaborate ceremony at Castle Leslie in Glaslough, County Monaghan, Ireland, where more than 300 guests were invited and the reception included a vegetarian banquet.[155] In October 2003, Mills McCartney gave birth to a daughter, Beatrice Milly McCartney.[156] The baby was reportedly named after Heather's late mother Beatrice and Paul's Aunt Milly.[157]
On 29 July 2006, British newspapers announced that McCartney had petitioned for divorce, which sparked a press furor.[158][159] A settlement was announced on 21 January 2007, but Mills' lawyers denied this.[160]
[edit]
Creative outlets
During the 60s, McCartney was often seen at major cultural events, such as the launch party for The International Times, and at The Roundhouse (28 January and 4 February 1967).[161] He also delved into the visual arts, becoming a close friend of leading art dealers and gallery owners, explored experimental film, and regularly attended movie, theatrical and classical music performances. His first contact with the London avant-garde scene was through John Dunbar, who introduced him to the art dealer Robert Fraser, who in turn introduced Paul to an array of writers and artists. McCartney later became involved in the renovation and publicising of the Indica Gallery in Mason's Yard, London—John Lennon first met Yoko Ono at the Indica.[162][163] The Indica Gallery brought McCartney into contact with Barry Miles, whose underground newspaper, The International Times, McCartney helped to start.[164] Miles would become de facto manager of the Apple's short-lived Zapple Records label, and wrote McCartney's official biography, Many Years From Now (1998).
McCartney has also written and released several pieces of modern classical music and ambient electronica, besides writing poetry and painting. McCartney is lead patron of the Liverpool Institute for Performing Arts, an arts school in the building formerly occupied by the Liverpool Institute for Boys. The 1837 building, which McCartney attended during his schooldays, had become derelict by the mid-1980s. On 7 June 1996, Queen Elizabeth II officially opened the redeveloped building.
[edit]
Classical music
The Anglican Cathedral in Liverpool, where the Liverpool Oratorio was premiered.
McCartney's first complete foray into classical music was the quasi-autobiographical Liverpool Oratorio (1991), a collaborative composition with Carl Davis. The Oratorio was premiered in Liverpool's Anglican Cathedral,[165] and had its North American premiere in Carnegie Hall in New York on 18 November 1991, with Davis conducting.[166] McCartney's singers and musicians included the opera singers Dame Kiri Te Kanawa, Sally Burgess,[167] Jerry Hadley and Willard White, with the Royal Liverpool Philharmonic Orchestra and the choir of Liverpool Cathedral.[168] In 1997, McCartney made his second venture into classical music with Standing Stone, which was commissioned by EMI Records to mark EMI's 100th anniversary in the autumn of 1997. In 1999, McCartney released Working Classical.[169]
In 2000, McCartney released A Garland for Linda; a choral tribute album, with compositions from eight other contemporary composers.[170][171] The music was performed by "The Joyful Company of Singers" to raise funds for The Garland Appeal, which is a fund to aid cancer sufferers.[172]
In March 2006, McCartney finished composing a 'modern classical' musical work named Ecce Cor Meum [Behold My Heart]. It was recorded with the Academy of St. Martin in the Fields, and the boys of King's College Choir, Cambridge and Magdalen College, Oxford, and was premiered at the Royal Albert Hall in London on 3 November 2006.[173][174]. It was voted Classical Album of the Year in 2007 in the Classical Brit Awards.
On July 18th the debut of a special arrangement of the Choral Suite in Ecce Cor Meum was performed in Eton College Chapel by the second Eton Choral Course, in the presence of the composer.
[edit]
Electronica
After the recording of "Yesterday" in 1965, McCartney contacted the BBC Radiophonic Workshop in Maida Vale, London, to see if they could record an electronic version of the song, but never followed it up.[175] When visiting John Dunbar's flat in London, McCartney would take along tapes he had compiled at Jane Asher's house.[176] The tapes were mixes of various songs, musical pieces and comments made by McCartney that he had Dick James make into a demo record for him.[177] He later made tape loops by recording voices, guitars and bongos on a Brenell tape machine, and splicing the various loops together. He reversed the tapes, speeded them up, and slowed them down to create the effects he wanted (which were later used on Beatles' recordings, such as "Tomorrow Never Knows"). McCartney referred to them as electronic symphonies and was heavily influenced by John Cage at the time.[178]
In the spring of 1966, McCartney rented a ground floor and basement flat from Ringo Starr at 34 Montagu Square, which was used by McCartney as a small demo studio for poets and avant-garde musicians to record in.[179] Apple Records later created their own Zapple sub-label, without McCartney's direct involvement but employing a similar aesthetic.[179]
In 1995, McCartney recorded a radio series called "Oobu Joobu"[180][181] for the American network Westwood One, which McCartney described as being "wide-screen radio".[182][183]
During the 1990s, McCartney collaborated with Youth of Killing Joke under the name of the Fireman,[184] and have released two ambient albums; Strawberries Oceans Ships Forest (in 1993) and Rushes, in 1998. In 2000, he released an album, Liverpool Sound Collage,[185] with Super Furry Animals and Youth, utilising collage and musique concrete techniques which fascinated him in the mid-1960s. Most recently, in 2005, he worked on a project with bootleg producer and remixer Freelance Hellraiser, consisting of remixed versions of songs from throughout his solo career and released under the name Twin Freaks.[186]
[edit]
Film
McCartney was interested in animated films as a child, and later had the financial resources to ask Geoff Dunbar to direct a short animated film called the Rupert and the Frog Song in 1981. McCartney wrote the music and the script, was the producer, and added some of the characters voices.[187] Dunbar worked again with McCartney on an animated film about the work of French artist Honore Daumier, in 1992, which won both of them a Bafta award.[188] They also worked on Tropic Island Hum, in 1997.[189] In 1995, McCartney directed a short documentary about The Grateful Dead.[190][191]
[edit]
Painting
In 1966, McCartney met art gallery-owner Robert Fraser, whose flat was visited by many well-known artists.[192] McCartney met Andy Warhol, Claes Oldenburg, Peter Blake, and Richard Hamilton there, and learned about art appreciation.[192] McCartney later started buying paintings by Magritte, and used Magritte's painting of an apple for the Apple Records logo.[193] He now owns Magritte's easel and spectacles.[194]
McCartney's love of painting surfaced after watching artist Willem de Kooning paint, in Kooning's Long Island barn.[195] McCartney took up painting in 1983.[196] In 1999, he exhibited his paintings (featuring McCartney's portraits of John Lennon, Andy Warhol, and David Bowie) for the first time in Siegen, Germany, and included photographs by Linda. He chose the gallery because Wolfgang Suttner (local events organiser) was genuinely interested in his art, and the positive reaction led to McCartney showing his work in UK galleries.[197] The first UK exhibition of McCartney's work was opened in Bristol, England with more than 500 paintings on display. McCartney had previously believed that "only people that had been to art school were allowed to paint" - as John Lennon had.[197]
In October 2000, Yoko Ono and McCartney presented art exhibitions in New York and London. McCartney said,“ I've been offered an exhibition of my paintings at the Walker Art Gallery in Liverpool where John and I used to spend many a pleasant afternoon. So I'm really excited about it. I didn't tell anybody I painted for 15 years but now I'm out of the closet.[198][199] ”
[edit]
Writing and poetry
McCartney's English teacher, Alan Durband, in 1946.
When McCartney was young, his mother read him poems and encouraged him to read books. McCartney's father was interested in crosswords and invited the two young McCartneys (Paul and his brother Michael) to solve them with him, so as to increase their "word power".[200] McCartney was later inspired - in his school years - by Alan Durband, who was McCartney's English literature teacher at the Liverpool Institute.[201] Durband was a co-founder and fund-raiser at the Everyman Theatre in Liverpool, where Willy Russell also worked, and introduced McCartney to Geoffrey Chaucer's works.[202] McCartney later took his A-level exams, but passed only one subject - Art.[203][204]
In 2001 McCartney published 'Blackbird Singing', a volume of poems some of which were lyrics to his songs, and gave readings in Liverpool and New York.[205] Some of them were serious: "Here Today" (about John Lennon) and some humorous ("Maxwell's Silver Hammer").[206] In the foreword of the book, McCartney explained that when he was a teenager, he had "an overwhelming desire" to have a poem of his published in the school magazine. He wrote something "deep and meaningful", but it was rejected, and he feels that he has been trying to get some kind of revenge ever since. His first "real poem" was about the death of his childhood friend, Ivan Vaughan.[207]
In October 2005, McCartney released a children's book called High In The Clouds: An Urban Furry Tail. In a press release publicizing the book, McCartney said, "I have loved reading for as long as I can remember," singling out Treasure Island as a childhood favorite.[208] McCartney collaborated with author Philip Ardagh and animator Geoff Dunbar to write the book.[209]
[edit]
Lifestyle
McCartney's lifestyle was greatly altered by his success and the income he earned. In the 1960s, the new availability of the first oral contraceptive and illegal drugs changed many people's opinions—including McCartney's—about life, marriage, and sexual relationships.[210]
[edit]
Recreational drug use
McCartney's introduction to drugs started in Hamburg, Germany. The Beatles had to play for hours, and they were often given "Prellies" (Preludin) by German customers or by Astrid Kirchherr (whose mother bought them). McCartney would usually take one, but Lennon would often take four or five.[211]
After having been introduced to cannabis, by Bob Dylan in New York, in 1964, McCartney remembered getting "very high" and giggling.[212] McCartney's use of cannabis became regular, and he was quoted in the Barry Miles book as saying that any future Beatles' lyrics containing the words "high", or "grass" were written specifically as a reference to cannabis—as was "Got to Get You into My Life".[213] John Dunbar's flat at 29 Lennox Gardens, in London, became a regular hang-out for McCartney, where he talked to musicians, writers and artists, and smoked cannabis.[177] In 1965, Miles introduced McCartney to hash brownies by using a recipe for hash fudge he found in the Alice B. Toklas Cookbook.[214] During the filming of Help!, he and the other Beatles occasionally smoked a spliff in the car on the way to the studio during filming, which often made them forget their lines.[215] Help! director Dick Lester said that he overheard "two beautiful women" trying to cajole McCartney into taking heroin, but he refused.[citation needed]
McCartney's attitude about cannabis was made public in the 1960s, when he added his name to an advertisement in The Times, on 24 July 1967, which asked for the legalisation of cannabis, the release of all prisoners imprisoned because of possession, and research into marijuana's medical uses. The advertisement was sponsored by a group called Soma and was signed by 65 people, including The Beatles, Brian Epstein, Graham Greene, R.D. Laing, 15 doctors, and two MPs.[216]
McCartney was introduced to cocaine by Robert Fraser, and it was available during the recording of Sgt. Pepper's Lonely Hearts Club Band.[217][218] McCartney admitted sniffing heroin with Fraser, but did not feel any effect, and never took it again.[219]
On a sailing trip to Greece in 1967 with The Beatles, McCartney said the whole band sat around and took LSD, although McCartney first took it with Tara Browne, in 1966.[220][221] He took his second "acid trip" with Lennon on 21 March 1967 after a studio session.[222] McCartney was the first British pop star openly to admit to using LSD, in an interview in the now-defunct "Queen" magazine.[223] His admission was followed by a TV interview in the UK on Independent Television News on 19 June 1967, when McCartney was asked about his admission of LSD use:“ I was asked a question by a newspaper, and the decision was whether to tell a lie or tell him the truth. I decided to tell him the truth ... but I really didn't want to say anything, you know, because if I had my way I wouldn't have told anyone. I'm not trying to spread the word about this. But the man from the newspaper is the man from the mass medium. I'll keep it a personal thing if he does too, you know ... if he keeps it quiet. But he wanted to spread it so it's his responsibility, you know, for spreading it, not mine. ”
In spite of his statements then, and his admission (in 2004) that he had used cocaine, McCartney was not arrested by Norman Pilcher's Drug Squad, as had been Lennon, Harrison, Donovan, and several members of the Rolling Stones.[224] In 1972, however, police found cannabis plants growing on his Scottish farm.[225]
On 16 January 1980, Wings went to Tokyo for 11 concerts in Japan.[74] Whilst McCartney went through customs, officials found 7.7 ounces (218.3 g) of cannabis in his luggage.[74] He was arrested and taken to a Tokyo prison whilst the Japanese government decided what to do. McCartney had been previously denied a visa to Japan (in 1975) because he had been convicted twice in Europe for possession of cannabis.[224] Public figures called McCartney to be tried by a jury for drug-smuggling. Had he been tried and convicted, he would have faced up to seven years in prison.[74] The members of Wings cancelled the tour and left Japan. After his week in jail, McCartney was released and deported. He was told that he would not be welcome in Japan again, although a decade later he played a concert in Tokyo.[74]
In 1984, Paul and Linda McCartney were both busted in Barbados for possession of marijuana.[226] [227]
[edit]
Meditation
On 24 August 1967, McCartney met the Maharishi Mahesh Yogi at the London Hilton, and later went to Bangor, in North Wales, to attend a weekend 'initiation' conference.[228] McCartney said that although he does not meditate daily, he still uses the mantra that the Maharishi Mahesh Yogi gave him in Bangor.[229] The time McCartney later spent in India at the Maharishi's ashram was highly productive, as practically all of the songs that would later be recorded for The White Album and Abbey Road were composed there by McCartney, Lennon, or both together.[230] Although McCartney was told that he was never to repeat the mantra to anyone else, he did tell Linda McCartney,[231] and said he meditated a lot whilst he was in prison, in Japan.[229]
[edit]
Activism
The McCartneys' vegetarian activism began with watching lambs in a field.
Paul and Linda McCartney became outspoken vegetarians and animal-rights activists. They said that their vegetarian instincts were realised when they happened to see lambs in a field as they ate a meal of lamb.[232] McCartney has also credited the 1942 Disney film Bambi - in which the young deer's mother is shot by a hunter - as the original inspiration for him to take an interest in animal rights.[233] In his first interview after Linda's death, he promised to continue working for animal rights.[234][235]
In 1999, McCartney spent £3,000,000 to make sure Linda McCartney's food range remains free of GM ingredients.[236] In 2002, McCartney gave his support to a campaign against a proposed ban on the sale of certain vitamins, herbs and mineral products in the European Union.[237] Following his marriage to Heather Mills, McCartney joined with her to campaign against landmines;[238][239] both husband and wife are patrons of Adopt-A-Minefield.[240] In 2003, he played a personal concert for the wife of a wealthy banker and donated his one million dollars to the charity.[241] He also wore an anti-landmines t-shirt on the Back in the World tour.[240]
In 2006, the McCartneys travelled to Prince Edward Island to bring international attention to the seal hunt (their final public appearance together). Their arrival sparked attention in Newfoundland and Labrador where the hunt is of economic significance.[242] The couple also debated with Newfoundland's Premier Danny Williams on the CNN show Larry King Live. They further stated that the fishermen should quit hunting seals and begin a seal watching business.[243] McCartney has also criticised China's fur trade,[244][245] and supports the Make Poverty History campaign.[246]
McCartney has been involved with a number of charity recordings and performances. In 2004, he donated a song to an album to aid the "US Campaign for Burma", in support of Burmese Nobel Prize winner Suu Kyi,[247] and he had previously been involved in the Concerts for the People of Kampuchea, Ferry Aid, Band Aid, Live Aid, and the recording of "Ferry Cross the Mersey" (released 8 May 1989) following the Hillsborough disaster.[248][249]
[edit]
Business
McCartney is today one of Britain's wealthiest men, with an estimated fortune of £760 million.[250] In addition to his interest in Apple Corps, McCartney's MPL Communications owns a significant music publishing catalogue, with access to over 25,000 copyrights.[251][252]
McCartney earned £40 million in 2003, making him Britain's highest media earner.[253] This rose to £48.5 million by 2005.[254] In the same year he joined the top American talent agency Grabow Associates, who arrange private performances for their richest clients.[255]
[edit]
The Beatles catalogue
Main articles: Apple Corps and Northern Songs
"I Want to Hold Your Hand" cover.
Northern Songs was established in 1963, by Dick James, to publish the songs of Lennon/McCartney.[256] The Beatles' partnership was replaced in 1968 by a jointly-held company, Apple Corps, which continues to control Apple's commercial interests. Northern Songs was purchased by Associated TeleVision (ATV) in 1969, and was sold in 1985 to Michael Jackson. For many years McCartney was unhappy about Jackson's purchase and handling of Northern Songs.[257]
[edit]
MPL Communications
Main article: MPL Communications
MPL Communications is an umbrella company for McCartney's business interests, which owns a wide range of copyrights,[258] as well as the publishing rights to musicals,[259] and controls 25 subsidiary companies.[260]
In 2006, the Trademarks Registry reported that MPL had started a process to secure the protections associated with registering the name "Paul McCartney" as a trademark.[261] The 2005 films, Brokeback Mountain[262] and Good Night and Good Luck, feature MPL copyrights.[263]
In addition to publishing songs, MPL also published photos from the Paul McCartney 2002-2003 World Tour. The exhibit, titled Each One Believing, contained photos taken by longtime McCartney photographer Bill Bernstein, and toured the United States as well as the UK in 2007. The photographs, which were for sale to the general public, had the signatures of Bill Bernstein as well as Paul McCartney.
[edit]
Pseudonyms
Over the years, McCartney has released work under a number of pseudonyms. Prior to the success of The Beatles, McCartney would sometimes use the stage name Paul Ramone or Ramon (a sobriquet that was later the inspiration for the name of US punk band The Ramones). In 1964, McCartney wrote Peter and Gordon's first three hit singles; "A World Without Love", "Nobody I Know", and "I Don't Want To See You Again". Curious to see if their next single would sell without his name as writer, Paul wrote "Woman" for them, but credited it to 'Bernard Webb' ('A. Smith' in the U.S.). Nevertheless, it was also a hit.
In 1968 he and Gus Dudgeon co-produced the song "I'm The Urban Spaceman" by the Bonzo Dog Doo-Dah Band and were collectively credited as "Apollo C. Vermouth" because of contractual restrictions.[264] The band later paid tribute to them with their recording "Mister Apollo", a song about an impossibly perfect body builder.
In 1974, he recorded an instrumental, "Walking in the Park with Eloise",[265] which had been written by his father. The song (with B-side, "Bridge Over The River Suite") was released on a 1974 single by the "Country Hams", which featured Wings, Floyd Cramer and Chet Atkins. Both tracks were later featured on the CD reissue of Wings at the Speed of Sound.[266]
In 1977, McCartney released Thrillington, discussed above, under the name "Percy 'Thrills' Thrillington".[267] The album was not well received, but is now a collectible item.
In 1994 he appeared as "The Fireman" (a collaboration with Youth) with the album Strawberries Oceans Ships Forest, discussed above, an album based on sounds from his album "Off the Ground". In 1998, "The Fireman" appeared again with a second album, Rushes.
[edit]
Achievements and critique
[edit]
Criticism
Stella McCartney once asked her father if he was the same famous 'Paul McCartney' that she had heard about at school. He replied that there is a difference between the public McCartney and the private McCartney, who is "just this kid from Liverpool".[268]
McCartney wrote in the concert programme for his 1989 world tour that Lennon received all the credit for being the avant-garde Beatle,[164] and McCartney was known as 'baby-faced', which he disagreed with.[269] People also assumed that Lennon was the 'hard-edged one', and McCartney was the 'soft-edged' Beatle,[13] although McCartney admitted to 'bossing Lennon around.'[270]
Linda McCartney said that McCartney had a 'hard-edge'—and not just on the surface—which she knew about after all the years she had spent living with him.[13][271] McCartney seemed to confirm this edge when he commented that he sometimes meditates, which he said is better than "sleeping, eating, or shouting at someone".[231]
In June 1983, McCartney released "We All Stand Together" from the animated film Rupert And The Frog Song, which was commercially successful, but was widely ridiculed as being "one of the worst songs in recent years".[272]
McCartney's songwriting has benefited from friendly competition, Lennon and the Rolling Stones in the 1960s, and Lennon again in the 1970s. McCartney's critical success with songwriter Elvis Costello in the late 1980s has not transcended to his latter works, "It's as if Costello's McCartney songs were written not for the actual Paul McCartney but for an idea of Paul McCartney. Trippy? Perhaps. But Costello's generous perspective made McCartney something he hasn't been for decades – interesting." [273]
[edit]
Record-breaker
McCartney is listed in The Guinness Book Of Records[274] as the most successful musician and composer in popular music history,[275] with sales of 100 million singles and 60 gold discs.[276][277]
He has achieved twenty-nine number-one singles in the U.S., twenty of them with The Beatles, the rest with Wings and as a solo artist.[275] McCartney has been involved in more number-one singles in the United Kingdom than any other artist under a variety of credits, although Elvis Presley has achieved more as a solo artist. McCartney has achieved 24 number-ones in the U.K.: solo (1), Wings (1), with Stevie Wonder (1), Ferry Aid (1), Band Aid (1), Band Aid 20 (1) and The Beatles (17).[278] McCartney is the only artist to reach the U.K. number one as a soloist ("Pipes of Peace"), duo ("Ebony and Ivory" with Stevie Wonder), trio ("Mull of Kintyre", Wings), quartet ("She Loves You", The Beatles), quintet ("Get Back", The Beatles with Billy Preston) and sextet ("Let It Be" with Ferry Aid).
McCartney's song "Yesterday" is the most covered song in history with more than 3,500 recorded versions[279] and has been played more than 7,000,000 times on American TV and radio, for which McCartney was given an award.[280] After its 1977 release the Wings single "Mull of Kintyre" became the highest-selling record in British chart history, and remained so until 1984.[71]
On 2 July 2005, he was involved with the fastest-released single in history. His performance of "Sgt. Pepper's Lonely Hearts Club Band" with U2 at Live 8[281] was released only 45 minutes after it was performed, before the end of the concert. The single reached number six on the Billboard charts, just hours after the single's release, and hit number one on numerous online download charts across the world.[282]
McCartney played for the largest stadium audience in history when 184,000 people paid to see him perform at Maracanã Stadium in Rio de Janeiro on 21 April, 1990,[283] and he played his 3,000th concert in front of 60,000 fans in St Petersburg, Russia, on 20 June 2004.[284] Over his career, McCartney has played 2,523 gigs with The Beatles, 140 with Wings, and 325 as a solo artist.[285]
[edit]
Awards
The Beatles received their MBEs at Buckingham Palace.
On 12 June 1965, McCartney and the three other Beatles were appointed Members of the Order of the British Empire (MBE); they received their insignia from the Queen at an investiture at Buckingham Palace on 26 October. On 11 March 1997, he was knighted for his "services to music". He dedicated his knighthood to fellow Beatles John Lennon, George Harrison, and Ringo Starr, and to the people of Liverpool.[286]
McCartney is the only ex-Beatle to have been nominated as a solo artist for an Academy Award, for songs in the films Vanilla Sky and Live and Let Die. The Beatles won the 1970 Oscar for 'Best Original Song Score' for the film Let It Be. McCartney also received an honorary doctorate of music from the University of Sussex.
In February 1990, McCartney was awarded a Grammy Lifetime Achievement Award,[287] and, in March 1999, he was inducted into the Rock and Roll Hall of Fame as a solo artist, after having been inducted with The Beatles in 1988.
At the 1983 BRIT Awards, McCartney won the award for 'British male solo artist' and 'The Sony award for technical excellence'.
The minor planet 4148, discovered on 11 July 1983 by E. Bowell at the Anderson Mesa Station of the Lowell Observatory, was named 'McCartney' in honour of Sir Paul.[288]
[edit]
Discography
These pages detail McCartney's recorded work with The Beatles, Wings, and his solo output from the 1960s to the present day:
Paul McCartney discography (including Wings' releases)
The Beatles discography
[edit]
Song samples
Many Beatles compositions are attributed solely or predominantly to McCartney. Following are samples for some of these. Among others are "Can't Buy Me Love", "And I Love Her", "Michelle", "Fool on the Hill", "Hello, Goodbye", "Hey Jude", "Let It Be", and "The Long and Winding Road".
1963
"All My Loving" (help·info)
1966
"Eleanor Rigby" (help·info)
"Got to Get You into My Life" (help·info)
1967
"Penny Lane" (help·info)
"When I'm Sixty-Four" (help·info)
1968
"Blackbird" (help·info)
"Mother Nature's Son" (help·info)
"Helter Skelter" (help·info)
1969
"She Came in Through the Bathroom Window" (help·info)
[edit]
Paul is dead rumors
"Paul McCartney Dead: The Great Hoax", a magazine reporting on the rumours concerning McCartney.
Main article: Paul is dead
"Paul is dead" is an urban legend alleging that McCartney died in 1966 and was replaced by a look-alike and sound-alike.
Evidence for McCartney's death consists of "clues" found among The Beatles many recordings, most of which are treated as if they were deliberately placed by The Beatles or others—as if McCartney's death was a mystery to be solved by the public. They include statements allegedly heard when a song is played backwards, symbolism found in obscure lyrics, and ambiguous imagery on album covers. A few are well-known, such as the fact that McCartney is the only barefoot Beatle - out of step with the others - on the cover of Abbey Road.
It is often unclear whether proponents spread this story as a joke or as a real conspiracy theory. The rumour has been the topic of much sociological examination because its development, growth, and rebuttal took place very publicly, due to the Beatles' enormous popularity and propensity for hidden messages and double meanings in their songs, as well as in their album titles and artwork.
Many fans have claimed that the rumour was a hoax perpetrated by The Beatles, either as a joke, or to stimulate record sales (the initial call placed to Russ Gibb coincided with the release of Abbey Road). This was denied numerous times by all four band members.
Longtime "Paul is dead" expert Joel Glazier wrote a 1977 treatise which included a theory suggesting John Lennon's love of wordplay and clever studio editing may have been responsible for the more bizarre clues in later albums, and that after Charles Manson claimed The Beatles were hiding references to an upcoming racial war in their song "Helter Skelter", the band members may have chosen not to reveal the joke.
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